Marcia Griffiths was absent because of her pregnancy Lee Jaffe : harmonica - Manager of the Wailers Tyrone Downie : keyboards, percussion, backing vocals Transferred, Tracked & Pitched Corrected by kingrue upload 1767 (grateful thanks to him) Originally uploaded to Traders Den - 1/12/19 Transfer : Sony TC-WE 475 (w/Dolby B off) > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz)Įditing : Soundforge (tracking) > Wave > TLH (SB's aligned) Flac level 8
Source : WBCN-FM > Cassette Master (Maxell UD C120 w/Dolby B on)
NATTY DREAD BOB MARLEY RAR UPGRADE
This is an upgrade to that, despite a few small flaws a tiny cut after a minute and an area of tape damage during "Get Up Stand Up" but only for a few seconds. I've heard a few versions of this in the past and prior to hearing this, the best was the 24-bit Dubwise source.
Each show had 350 people in attendance and tickets were priced at $7.00. Bob Marley and the Wailers played there for 7 consecutive nights, from June 23-29, 1975. Paul’s Mall and the Jazz Workshop, located on Boylston Street, was a popular venue from it’s opening in 1963 until it closed in 1978. One show followed in Birmingham before finishing this short visit to England in Manchester on July 20. Only four days later, the group were in London for the previously mentioned Lyceum shows.
One night at the Paramount Theatre in Oakland followed before finishing this North American leg with a five night run at The Roxy Theatre in Los Angeles. Ten consecutive days in California followed, beginning on July 4 with a four-night stand at the Boarding House in San Francisco. Compact Disc Natty Dread was first released on CD in 1986 in Japan on the Polystar label P32D-25009 in conjunction with Island, with a black, red and white obi strip telling us that this was the 25th anniversary of Island Records although the label was actually founded in 1959. After a seven day consecutive run at Paul's Mall in Boston, the tour broke for a few days with some much needed rest and the inevitable travelling time for the remaining dates on the west coast. More in-depth information about the tour dates and set lists became available.Īfter a warm up show in Miami, the tour began with a trip over the border to Massey Hall, Toronto in Ontario, Canada early dates in June then covered the north eastern states of the USA.
NATTY DREAD BOB MARLEY RAR PLUS
Sleeve Condition: Sleeve: Very Good Plus (VG+) Yes We are able to ship to you. This upgraded source from Paul's Mall can now be added to those two shows.Ī consequence of the Wailer's growing popularity and fame enabled the quantity of live recordings to increase markedly for each subsequent tour. Bob Marley & The Wailers - Natty Dread (CD, Album, Ltd, RE, RM, SHM) Label: Tuff Gong, Island Records Cat: UICY-79158 Media Condition: Media: Very Good Plus (VG+) Will show some signs that it was played and otherwise handled by a previous owner who took good care of it. In bootleg circles the recordings from the Quiet Knight club in Chicago and the Boarding House in San Francisco provide an unofficial perfect representation of the tour.
NATTY DREAD BOB MARLEY RAR FREE
The simple appeal of words like these from 'Redemption Song' – 'Emancipate yourselves from mental slavery/None but ourselves can free our minds' – reached out to all, required no religious obeisance and confirmed his position as a transcendent global statesman.The 'legendary' Lyceum show in July dominates the 1975 tour, recordings of both dates are now available on official release. He had switched from the hard line Nyabinghi Rastafari to the far more all-embracing Twelve Tribes – the former was strictly black, the latter offered a proto-hippie rainbow culture approach – which suggests that no matter its visibility and the attraction of Rasta's counter-cultural symbols – the locks, the spliffs – the core message was universal, about human rights, fairness, dignity, rather than doctrinal or dogmatic. He also, of course, was the global symbol for his religion, Rastafarianism. He was driven to take his message – of the need to struggle against hypocrisy and corruption, to stand up for yourself and combat oppression – to a global audience. What was he trying to tell the world? Most importantly, his views on injustice had evolved beyond exclusively Jamaica and his own black people to include the oppressed of all races all over the world.
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